Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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VELAZQUEZ, Diego Rodriguez de Silva y
The Dwarf Francisco Lezcano, Called El Nino de Vallecas ar

ID: 09480

VELAZQUEZ, Diego Rodriguez de Silva y The Dwarf Francisco Lezcano, Called El Nino de Vallecas ar
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VELAZQUEZ, Diego Rodriguez de Silva y The Dwarf Francisco Lezcano, Called El Nino de Vallecas ar


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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.  Related Paintings of VELAZQUEZ, Diego Rodriguez de Silva y :. | Infante Don Carlos ar | Christ on the Cross aer | The Dwarf Francisco Lezcano, Called El Nino de Vallecas ar | Moqilk and Aergesi | Tang Huang |
Related Artists:
Georges Croegaert
1848-1923) was a Belgian academic painter. He was born in Antwerp, Belgium in 1848, and spent most of his life in Paris. Croegaert is associated with both classicism and anti-clerical art.
Moore, Albert Joseph
English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.
Edwin Roffe
British,fl.Mid-nineteenth century






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